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Among those present when the sample as cut from the shroud were Cardinal Anastasio Ballestrero (Archbishop of Turin), Professor L. The laboratories were not told which container held the shroud sample.Gonella (Department of Physics, Turin Polytechnic and the Archbishop's scientific adviser), two textile experts (Professor F. Because the distinctive three-to-one herringbone twill weave of the shroud could not be matched in the controls, however, it was possible for a laboratory to identify the shroud sample.Photography of the shroud by Secondo Pia in 1898 indicated that the image resembled a photographic 'negative' and represents the first modern study.Subsequently the shroud was made available for scientific examination, first in 19 by a committee appointed by Cardinal Michele Pellegrino .The three control samples, the approximate ages of which were made known to the laboratories, are listed below. T/32) from a tomb excavated at Qasr Ibrîm in Nubia by Professor J. This linen was dated in the British Museum Research Laboratory using liquid scintillation counting, giving a radiocarbon age of 2,010 ± 80 yr BP (BM-2558).Two were in the form of whole pieces of cloth (samples 2 and 3) and one was in the form of threads (sample 4). This corresponds to a calendar age, rounded to the nearest 5 years, of 110 cal BC - AD 75 cal at the 68 per cent confidence level (where cal denotes calibrated radiocarbon dates). Threads removed from the cope of St Louis d'Anjou which is held in a chapel in the Basilica of Saint-Maximin, Var, France.

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The procedures for taking the samples and treating the results were discussed by representatives of the three chosen laboratories at a meeting at the British Museum in January 1988 and their recommendations = standard deviation) errors, of the Shroud of Turin and control samples, as supplied by the three laboratories (A, Arizona; O, Oxford; Z, Zurich) (See also Table 2.) The shroud is sample 1, and the three controls are samples 2-4. The sampling of the shroud took place in the Sacristy at Turin Cathedral on the morning of 21 April 1988. All these operations, except for the wrapping of the samples in foil and their placing in containers, were fully documented by video film and photography.

On the basis of the stylistic details and the historical evidence the cope could be dated at ~ AD 1290 - 1310 (reign of King Phillipe IV).

Because it was not known to what degree dirt, smoke or other contaminants might affect the linen samples, all three laboratories subdivided the samples, and subjected the pieces to several different mechanical and chemical cleaning procedures.

It was first displayed at Lirey in France in the 1350s and subsequently passed into the hands of the Dukes of Savoy.

After many journeys the shroud was finally brought to Turin in 1578 where, in 1694, it was placed in the royal chapel of Turin Cathedral in a specially designed shrine.

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